Guided Viewing of 2 Exhibitions: “Momentous Mountains: The Artistic, Philosophical and Cultural Engagement with Chinese Landscape Painting with Dr. Shou Hua and Abstract Evolutions: Sixty Years of Paintings by Fong Chung-Ray with Dr. Sarah Ng at UMAG (Members Only)

The HKU Museum Society is delighted to present a guided viewing of 2 exhibitions at UMAG: Momentous Mountains: The Artistic, Philosophical and Cultural Engagement with Chinese Landscape Painting with Dr. Shou Hua, Associate Curator at UMAG and Abstract Evolutions: Sixty Years of Paintings by Fong Chung-Ray with Dr. Sarah Ng, Curator at UMAG

The first exhibition Momentous Mountains invites visitors to immerse themselves in the captivating world of Chinese landscape paintings from the collection of the UMAG, HKU. This series of paintings spans from the early Qing dynasty (17th century) to contemporary times, representing the depth and virtuosity of the development of Chinese landscape paintings, extending from the orthodox Four Wang Masters of the early Qing, the Nanjing School, the Jiangxi School and the Shanghai School of Chinese paintings. Rarely displayed in public, the paintings include iconic works by renowned 20th-century masters and influential art educators—such as Liu Haisu (1896-1994), Fang Zhaoling (1914–2006), Wan Qingli (1945–2017) and Wesley Tongson (1957- 2012)—and other outstanding contemporary artists who trained in the leading Eastern and Western art academies.

The second exhibition Abstract Evolutions: Sixty Years of Paintings by Fong Chung-Ray, a distinguished Chinese American painter who is best known for his unique abstract art style, one which explores new directions for Chinese paintings. Fong was born in Henan province and he received his formal art training at the Cadre College of Arts and Crafts in Taiwan. The significance of Fong Chung-ray’s artistic oeuvre lies in his contribution both to the global art scene and the representation of Chinese artistic traditions in late twentieth- and early twenty-first-century California. As an ambassador for art, he has played a crucial role in fostering cultural exchange between China and the West, and his artworks have introduced richly diverse artistic traditions, techniques and themes to international audiences, promoting a deeper understanding and appreciation of Chinese culture.

 

Speakers
Dr. Shou Hua received a BA from the University of Pennsylvania and a PhD from the University of Hong Kong. She was a visiting PhD fellow at the Cluster of Global Art History, University of Heidelberg. Her research centres on modern East Asian paintings, art market studies and exhibition history in a cross-cultural context.

Dr. Sarah Ng is a historian of visual arts and material culture specializing in late imperial Chinese painting, calligraphy and ink rubbings. She is the curator of the Hong Kong University Museum & Art Gallery (UMAG). The relationship and reinterpretation of the Chinese tradition in contemporary art practice is her primary area of scholarly interest. Her work also addresses collecting, connoisseurship, canon formation, workshop practices, art conservation, museum studies and bookplates. She lectures on these subjects and other areas of expertise internationally.

 

Image Credit: Courtesy of UMAG
Summer Mountains WAN Qingli (1945–2017) 1995 L 90.5 x W 175 cm Ink and colour on paper Gift of WAN Qingli HKU.P.2002.1451
Fong Chung-Ray 1983-4 Acrylic on Canvas 91×121.5

 

2024 Annual General Meeting

Please join us for the Fourteenth Annual General Meeting of The University of Hong Kong Museum Society Limited on Thursday, 23 May 2024, at the University Museum and Art Gallery, The University of Hong Kong, 90 Bonham Road, Pokfulam, Hong Kong.

Following the AGM, the Executive Committee is pleased to invite members to join the gift presentation of artworks donated by the Museum Society to the University Museum and Art Gallery’s 20th Century art collection.     The artworks Smile (ink and colour on paper) and Love (mixed media on canvas) were created by renowned Hong Kong artist Kwok Mang Ho (Frog King).  Since 1967, Kwok has produced numerous paintings, sculptures, installations and performances in over 3,000 art events worldwide. We are honoured that the artist Kwok Mang Ho will be present to give a calligraphy demonstration and performance.

About the Artist
Kwok Mang Ho, aka Frog King, was born in 1947 in Mainland China and grew up in Hong Kong. He spent 15 years in New York and returned to Hong Kong in 1995.  Since 1967, Frog King has produced numerous performances, sculptures, paintings and installations in over 3,000 art events worldwide. A multimedia artist, Frog King received his art training at the Fine Art Grantham College of Education Hong Kong, the Chinese University of Hong Kong, The University of Hong Kong, and the Art Students League of New York.

Guided Viewing: A Different Kind of Art – Magnificent Jewels, Watch Spectacular, and Other Objet de Desir at Sotheby’s Hong Kong Sale at HKCEC

The HKUMS is pleased to present a guided viewing of the upcoming Sotheby’s Hong Kong Sale highlighting a 55.55ct oval diamond, named “The Fortune Five”, an unusual Patek Philippe pink gold chronograph wristwatch with leap year indication, an Hermès Kelly 25 in Niloticus Crocodile Himalaya with diamond hardware, and a wide array of limited editions and highly sought-after collectibles. Through these creations from either the traditional, the modern or contemporary power houses, one can have a glimpse of the exquisite craftsmanship that upholds the pieces.

Please join us for an extraordinary spectacle of luxury in various forms.

Guided Viewing: “Ma Yansong: Landscapes in Motion” with Architect Simon Chan at Hong Kong Design Institute

The HKU Museum Society is delighted to present a guided viewing of Ma Yansong: Landscapes in Motion with Architect Simon Chan. HKDI is a leading design education institution in Hong Kong, offering excellent learning opportunities to keep pace with the growing demand of the creative industries. Themed as the White Sheet, the campus design from French architects Coldéfy & Associés, was the award-winning project in the HKDI International Architectural Design Competition in 2006/2007.

In collaboration with Shenzhen Museum of Contemporary Art and Urban Planning (MOCAUP) and the renowned architect Ma Yansong’s Architecture firm, the MAD Architects, the “Ma Yansong: Landscapes in Motion” exhibition aims to comprehensively explore Ma Yansong’s most representative urban architectural projects over the past two decades. Born in 1975 and graduated from Yale University in 2002, Ma Yansong founded MAD Architects (MAD) in 2004, a multinational firm that is committed to developing futuristic, organic, technologically advanced designs that embody a contemporary interpretation of the Eastern affinity for nature. This exhibition not only reveals Ma’s thought-provoking concepts and imaginative vision but also provides a glimpse into the future of urban civilization, showcasing a harmonious coexistence between urban landscapes, history, and the natural environment.  

Speaker
Simon Chan is a Registered Architect in Hong Kong, Canada, and China, with over 23 years of experience. He holds a Bachelor of Architecture degree from the University of Toronto and a Master of Design from Hong Kong Polytechnic University. He has worked in New York, Toronto, and in Hong Kong for the past 17 years. Simon’s notable projects include the M+ Museum and the Hang Seng Bank Headquarters Revitalization in Hong Kong, Shenzhen Natural History Museum, Shenyang Kerry Center, University of Toronto Student Center, and the Shangri-la Center in Mongolia. He was an Assistant Professor at the University of Hong Kong and is currently teaching part-time in the University of Lincoln degree program at the Hong Kong Design Institute, and at Hong Kong Chu Hai College. 

Photo Credit:
Courtesy of HKDI

Guided Visit to Art Central with Dr. Harald Kraemer at Central Harbourfront

As the international art fairs return to Hong Kong in full scale, the HKU Museum Society is delighted to organize two guided visits with Dr. Harald Kraemer, Curator of UMAG. Join us on a visit to Art Central to browse a wide array of artworks and to learn how to strategize your future visits. 

Understanding Art Fairs – more than just a visit
At an art fair, there are countless works of art to discover at hundreds of galleries. How do you actually find what you like in this maze? How do I plan my tour? We will take a look behind the scenes and find out what strategies galleries use to attract our attention and market their artists. We will learn what collectors do to find the artwork of their choice and how artists use the fair as a platform to draw attention to themselves. 

Speaker
Dr Harald P. Kraemer taught Art Market courses and wrote for many years about Art Basel and other art fairs for the Vienna-based online magazine Artmagazine. As a student, he had his first (painful) experiences as a gallery owner in his home town and later developed survival strategies for some artists in the art market. He currently teaches Museum Studies at HKU and works as an exhibition curator for UMAG.

Guided Visit to Art Basel with Dr. Harald Kraemer at Hong Kong Convention and Exhibition Centre

As the international art fairs return to Hong Kong in full scale, the HKU Museum Society is delighted to organize two guided visits with Dr. Harald Kraemer, Curator of UMAG. Join us on a visit to Art Basel to browse a wide array of artworks and to learn how to strategize your future visits. 

Understanding Art Fairs – more than just a visit
At an art fair, there are countless works of art to discover at hundreds of galleries. How do you actually find what you like in this maze? How do I plan my tour? We will take a look behind the scenes and find out what strategies galleries use to attract our attention and market their artists. We will learn what collectors do to find the artwork of their choice and how artists use the fair as a platform to draw attention to themselves. 

Speaker
Dr Harald P. Kraemer taught Art Market courses and wrote for many years about Art Basel and other art fairs for the Vienna-based online magazine Artmagazine. As a student, he had his first (painful) experiences as a gallery owner in his home town and later developed survival strategies for some artists in the art market. He currently teaches Museum Studies at HKU and works as an exhibition curator for UMAG.

Studio Visit with Artist Marina Pang

The HKU Museum Society is delighted to be extended a visit to the private studio and gallery of artist Marina Pang, one of the Museum Society’s founding members.

Marina Pang was born in Hong Kong and obtained a bachelor’s degree in science and education in the U.S.A and Britain.  She started her painting career when her sons left for England’s Public School and had a lot of time to pursue her favourite hobby – PAINTING. 

She was fortunate to study under very famous masters in Chinese painting, Huang Chun Pi (黃君璧), Chao Shao An (趙少昂), He Bai Li (何百里), Song Yu Gui (宋雨桂), and calligraphy under Ou Da Wei (區大為). Her selected works were chosen for exhibition by the “Hong Kong Contemporary Art Awards” (an open art competition to all Hong Kong artists).  Her works were chosen 5 times between 1994 and 2012.  She held solo exhibitions in Hong Kong 5 times between 1994 and 2019.

Her style changes with time.  The beginning was pure Chinese monochrome landscapes.  As time goes on, she added colours (especially acrylics) to all her works, including flowers, fish, insects, birds, as well as landscapes, with a more loose and free approach.  During our visit, she will demonstrate her techniques in putting to paper the beautiful images in her mind.

 

 

Guided Viewing: “Botticelli to Van Gogh: Masterpieces from The National Gallery, London” with Prof. Greg Thomas at Hong Kong Palace Museum

The HKU Museum Society is delighted to present a guided viewing of Botticelli to Van Gogh: Masterpieces from The National Gallery, London with Greg Thomas.

Organised by the Hong Kong Palace Museum and the National Gallery, London, this exhibition is the first showcase of the Gallery’s prestigious painting collection in Hong Kong. It features 52 of the world’s finest masterpieces painted by fifty influential artists, spanning more than 400 years of Western art history.

The paintings on view, dating to the 15th to early 20th century, encompass the most significant turning points in the history of art, from the Renaissance to impressionism and post-impressionism, represented by some of the world’s most revered artists, including Botticelli, Raphael, Titian, Caravaggio, Rembrandt, Goya, Turner, Constable, Monet, and Van Gogh.

Speaker
Professor Greg Thomas earned his Ph.D. in art history from Harvard University in 1995 and has taught at HKU since 1999. A specialist in 19th-century French painting, he has published Art and Ecology in Nineteenth-Century France: The Landscapes of Théodore Rousseau (Princeton UP, 2000) and Impressionist Children: Childhood, Family, and Modern Identity in French Art (Yale UP, 2010). Subsequent research has focused primarily on artistic interactions between Europe and China in the 18th and 19th centuries, including a current book project focused on the palace of Yuanmingyuan. At HKU, he teaches an introductory survey of western art history and advanced courses on 18th- and 19th-century art and architecture.

Photo Credit: 
Sir Thomas Lawrence (1769–1830)
1825
Oil on canvas
NG 6692
© The National Gallery, London

Lecture & Lunch: Exploring Art and Architecture of Eastern Anatolia with Dr. Elvan Cobb and Prof. Puay-peng Ho at HKU

The HKU Museum Society is pleased to present two lectures in connection with the HKUMS‘s upcoming tour Awesome Antiquities: Exploring Art and Architecture of Eastern Anatolia.  Members and Guests are welcome to attend this event.  

Unearthing Mount Nemrut (by Dr. Elvan Cobb)

Mount Nemrut, nestled among the majestic Taurus Mountains, stands as one of Anatolia’s most iconic destinations. The tomb-sanctuary, known as the Hierotheseion, was established by King Antiochos I of the Commagene Kingdom during the 1st century BCE. It served as a significant testament to Antiochos’s endeavors to amalgamate the Greek and Persian pantheons, exemplifying the syncretic movements of the Hellenistic Era. Rediscovered in the late 19th century, the site was initially explored by German and later by Ottoman archaeologists. After a period of hiatus, archaeological work at the site resumed in the 1950s. Mount Nemrut was added to UNESCO’s World Heritage List in 1987. This presentation aims to provide a comprehensive overview of the site’s history, spanning from its inception to its archaeological exploration, all the way up to its inclusion on the World Heritage List.

Speaker

Dr. Elvan Cobb is a historian of the built environment, especially focusing on the histories of place in the Ottoman Empire and the modern Middle East. In her work, Dr. Cobb juxtaposes histories of space with histories of technology, archaeology, tourism, environment, and the senses. She is currently an assistant professor of history at Hong Kong Baptist University and serves as the assistant director of the Ararat Plain Southeast Archaeological Project in Armenia.  She has received her doctorate in history of architecture and urban development from Cornell University and holds a master’s degree from the University of Pennsylvania in historic preservation.

 
Awesome Antiquities: Appreciating the Art and Architecture of Eastern Anatolia (by Professor Puay-peng Ho)

Eastern Anatolia (Türkiye) lies in the fertile plain in the upper reaches of the two great rivers of Euphrates and Tigris. Similar to lower Mesopotamia further south, which was the cradle of one of the 4 ancient riverine civilizations, the history of human habitation of Eastern Anatolia can be traced to the megalithic period. At Göbekli Tepe, a large circular ditch was unearthed containing massive stone pillars dating to around 11,000 years ago. Together with foundation of many houses, temples, and smaller structures, the settlement must be the earliest settlements excavated. In the historical periods, multiple cultural manifestations were developed over the past three millennia on this land. More than a few superpowers ruled this territory including the Hittite, Achaemenid, Macedonia Greek, Seleucid, Rome, Byzantium, Seljuk, and Ottoman empires. In addition, the territory was also subjected to several minor interludes of conquest, such as the Scythians and Mongolians from the Eurasian steppe, and the Timurid from Sogdiana. As such, the region was subjected to the cultural influences of the Assyrian, Greek, Seleucid, Roman, Steppe nomads, Persians, Armenians, Arabs, and Turks. With such a rich temporal and spatial intersection of people groups and cultures, the art of architecture of Eastern Anatolia has shown both local and foreign forms and spirits. 

The monumental, memorial, trading, living, and religious architecture and artifacts are the canvases on which the contestation and mutual influences of cultures played out. In addition, the long and ancient history of the region gave rise to legendary and historical landmarks spotlighting major players on the historical stage. This lecture will string together some of these key landmarks that will highlight the long and varied art and architectural forms that will manifest the glorious tapestry of eastern Anatolia. These include: the city of Şanlıurfa which is said to be ancient Ur where Abraham, revered by Jewish, Christian, and Islamic religions, is said to have been born; the recently excavated mosaics of the Seleucid and Roman periods found mainly in houses of ancient Zeugma (3rd – 1st cent. BCE, present-day Gaziantep); the colossal statues of deities erected by King Antiochos in the 1st century BCE on Nemrut Dağ; the archaeological site of ancient city of Ani (7th-13th century), the many monuments of Islamic Seljuk and Ottoman Anatolia, such as the Ulu Cami Great Mosque (12th century), Cifte Minare Medrese (13th century), Zinciriye Medresesi (14th century), and Er Rizk Mosque (15th century), as well as many Christian and Orthodox architecture, such as Dayro d-Mor Gabriel Orthodox Monastery (4th-6th century), the monastery of Sumela (12th century), and the Church of St. Giragos (16th century). These impressive monuments weave together a tapestry of artistic and architectural forms reflecting the splendid cultural expression of the multiple civilisations on this ancient land.

Speaker

Professor Puay-peng Ho holds the UNESCO Chair on Architectural Heritage Conservation and Management in Asia. He is currently Professor at Department of Architecture, College of Design and Engineering at the National University of Singapore. Having close to 30 years of experience in the academia, Professor Ho’s main research interests are in architectural history and conservation practices, and how the knowledge can be translated in teaching and practice. Professor Ho is a conservation consultant, architect and adviser to some 100 conservation projects in Hong Kong and Singapore since 2003, including PMQ, Haw Par Villa, Comix Homebase, Oil Street Art Space, Court of Final Appeal, and New Campus for Chicago University Booth School. Professor Ho was also appointed to many public and private boards and committees in Hong Kong, including as Chairman of the Lord Wilson Heritage Trust, member of Town Planning Board, Antiquities Advisory Board, and currently a member of Senior Advisory Board of Global Heritage Fund and a Patron of the International Dunhuang Project of British Library.