Hong Kong International Art Fair 2011 (ART HK 2011)

Back for its fourth year, ART HK 2011 will take place from 26–29 May 2011 at the Hong Kong Convention and Exhibition Centre. In just three years, ART HK has positioned itself as the key fixture in the international art scene. It is now one of the leading platforms for international, modern and contemporary art in Asia, bringing together collectors, curators, artists and galleries from Asia and all corners of the world.

In 2010, the Fair welcomed 155 of the world’s leading galleries from 29 different countries and an audience of over 46,000. This year, the Fair will showcase 161 galleries worldwide. Included among the leading galleries are the Gagosian Gallery, Hauser & Wirth, Lisson Gallery, Galerie Emmanuel Perrotin and White Cube. ART HK 2011 will also feature two gallery sections – Art Futures and Asia One. Art Futures will showcase emerging talents represented by young galleries while Asia One will present solo exhibitions of Asian artists. Both promise to provide visitors a unique opportunity to experience the newest developments in cutting-edge art.

Do join us for this guided tour to visit seven selected galleries and view their highlights of ART HK 2011.

For the latest updates, please visit http://www.hongkongartfair.com/

Christie’s Spring Exhibition with Rosemary Scott and Pola Antebi

We are fortunate to be able to schedule a guided tour with two of Christie’s Asian arts specialists, Rosemary Scott and Pola Antebi to view highlights of the Chinese Ceramics and Works of Art at Christie’s Spring Exhibition.

Rosemary Scott is the International Academic Director of Christie’s Asian Art Department. Before joining Christie’s, she was Curator of the Percival David Foundation and Head of the Museums Department of the School of Oriental and African Studies, University of London. Prior to this, she was Deputy Keeper of the Burrell Collection in Glasgow, responsible for the Oriental Art collections. Scott is the former President of the London Oriental Ceramic Society.

Pola Antebi is the Head of the Chinese Ceramics and Works of Art Department in Hong Kong, which under her leadership has grown exponentially. She also supports Christie’s sales in London, New York and Paris. Her areas of expertise include imperial ceramics, jades and works of art from the Yuan to the Qing periods. She holds degrees in French Literature and Art History from the University of Vermont in the United States.

Highlights of Dunhuang with Lee Mei-yin (李美賢)

Popular scholar Lee Mei-yin will give a comprehensive introduction in cantonese on the historical background, cultural relics, folk lives and grotto systems of Dunhuang. The importance of protection and preservation will also be discussed. It will be an information-packed afternoon with a double-screen presentation for trip participants as well as those who are not. Tea refreshments will be served.

Xi’an & Dunhuang with Lee Mei-yin (Conducted in Cantonese & Putonghua)

Overview:

Xi’an (西安), also known as Chang’an in ancient time, is one of the oldest cities in China and has served intermittently as the capital of thirteen dynasties including Zhou, Qin, Han, Sui and Tang. It prospered as an international city benefiting from its location at the eastern starting point for the great trade caravans of the ancient Silk Road.

The tour’s program begins in Xi’an with a visit to the Shaanxi History Museum (陝西歷史博物館) and the Xi’an Museum (西安博物院) to view the important collections, dated from pre-history of 150,000 years ago through different dynasties to the Qing. We will visit Yangling Tomb (漢陽陵), the Mausoleum of the Western Han Emperor. It was built in the year 153 and housed up to 60,000 burial objects – painted pottery figures, utensils, chariots and weapons, including a large number of animals have been unearthed. Xi’an’s old City Wall (古城牆) was one of the largest and most complete ancient military systems of defense in the world.

Dunhuang (敦煌), a small town in northwestern China renown for its art treasures, was an oasis located amid the Gobi Desert along the Silk Road from 2 BC to 14 AD. The caves in Dunhuang are the highlights of the tour. The Mogao Grottoes (莫高窟), popularly known as “the Caves of the Thousand Buddhas”, form a complex of 492 cave temples containing some of the finest examples of Buddhist art. Spanning a period of 1,000 years, from the 4th to the 14th century, they visually represent, with brilliant details, the culture of medieval China. They were inscribed as a UNESCO World Heritage Site in 1987. The Yulin Grottoes (榆林窟), known as Wanfoxia “Gorge of Ten Thousand Buddhas”, were carved between the Northern Wei (439–534) and the Qing Dynasty (1644–1911) on two sharp cliffs facing each other on the banks of the Yulin River.

This tour will be conducted in Cantonese and Putonghua. We are very privileged to have Lee Mei-yin, a Special Research Fellow of the Dunhuang Academy, guide us in Xi’an and Dunhuang – two important ancient cities on the Silk Road. A graduate of The Chinese University, she is an advisor to the Hong Kong Institute for Promotion of Chinese Culture and has conducted in-depth research on Chinese ethnic culture, Buddhist art and Chinese embroidery for many years.

西安,古稱長安,是中國古城之一,先後有周、晉、漢、隋、唐等十三個皇朝定都於此,不僅是著名古都,而且是盛譽的國際城市,是絲綢之路的起點。

昔日的繁榮,西安給我們留下寶貴的遺址及文物,西安古城牆是我國現存最完整的一座古代城垣建築,奢華的帝王陵墓及陪葬器物,都是十分珍貴的歷史文化財富,現存陝西省歷史博物館及西安博物院。

敦煌是戈壁沙漠上的一個綠州,歷史上中西交通要道上的重鎮。

莫高窟,俗稱千佛洞,是個結合建築、彩塑、壁畫三為一體的藝術寶庫。莫高窟現存四百九十二窟,塑像兩千四百餘尊,壁畫四千五百平方米,被譽為世界最大的畫廊,是世界上現存規模最大、內容最豐富的佛教藝術地。1987年年更被聯合國教科文組織列為「世界遺產」之一。近代以來,又發現了藏經洞,內有5萬餘件古代文物,並衍生出了一門專門研究藏經洞典籍和敦煌藝術的學科—敦煌學。榆林窟又稱萬佛峽,位於安西縣城東南75公里處的祁連山中。它是敦煌藝術的一個組成部分,和莫高窟一起被稱為絲綢之路上的姊妹窟。

全程由李美賢女士帶領參觀。李女士畢業於香港中文大學,從事中國少數民族「民族史與服飾」研究、中國文化教育及推廣工作二十多年。近年研究範圍包括佛教藝術「佛教雕塑」、敦煌、絲綢與刺繡賞析等。現任香港中華文化促進中心之學術顧問「民族文化」,和敦煌研究院特別研究員。

“Dance Melodies in Colours – Paintings by Lalan” with Zhao Jialing and Jean-Michel Beurdeley

As part of this year’s Le French May 2011, UMAG will present an exhibition, "Dance Melodies in Colours – Paintings by Lalan (神韻舞色 : 謝景籣繪畫)". Also known as Xie Jing Lan (1921–1995), Lalan was first married to abstract master Zao Wou-ki (趙無極). She lived in France for almost 50 years and her artworks undoubtedly reflect the dual influences of both China and France. A woman ahead of her time, Lalan lived her life with passion and courage as an accomplished painter, composer, dancer, choreographer and poet.

Our evening’s programme will begin with a short video of Lalan’s dance and music followed with a guided tour of the exhibition with Zhao Jialing, the only son of Lalan and Zao Wou-ki. Naturally, family stories and interesting artistic insights will be shared.

In addition, Jean-Michel Beurdeley, a close friend of Lalan and Zhao will be present. In 1992, Beurdeley was introduced to Lalan during an exhibition at Guimet Museum in Paris named Journees <<pour la Poesie>>. Fascinated by Lalan’s work, he became an ardent collector of her work and promised to publish her first art album. However, with her untimely death, the album could not materialise.

Coming from four generations of art collectors, Beurdeley was an art dealer who frequently travelled to Asia, promoting art and cultural exchanges between Europe and Asia. He has authored four other publications, including "Thai Forms, Jim Thompson, The House on the Klong, and Following the Manuscript and The Heritage of Thai Sculpture", which won an award from Academie Francaise.

Do join us for an evening of art and friendship.

Annual General Meeting; Guest Speaker: Dr. Joseph Ting (丁新豹博士) – “For China? For Hong Kong! A Reflection on HKU’s Mission in the Past 100 Years”

Synopsis

When the University of Hong Kong was founded a hundred years ago, the presiding Governor of Hong Kong, Sir Frederick Lugard claimed that it was founded for the benefit of China. In fact, Zhang Renjun, the Governor of Guangdong and Guangxi was one of the major donors of the University. However, when the University was formally opened in 1912, the Qing regime had already collapsed. It was replaced by a Republic whose first President was one of the first two graduates of the Hong Kong College of Medicine for Chinese, often considered the forerunner of The University of Hong Kong. What were the motives behind Zhang’s generous donations? Who were the University’s Mainland students in the Pre-war decades? Has Lugard’s mission been achieved? Why did the University’s mission shift gradually from that of “for China” to that of “for Hong Kong” in the Post-war era? These, together with issues related to the University’s history and development over the past century, will be addressed.

Guest Speaker

Dr. Joseph Ting graduated from The University of Hong Kong in Chinese Literature and Chinese History in 1971 followed with a MPhil in 1979 and a PhD in 1989. He joined the Hong Kong Museum of Art in 1979 as Assistant Curator and was transferred to the Hong Kong Museum of History in 1988 as Curator. Dr. Ting was promoted to Chief Curator in 1995 and he held this position until his retirement in 2007. During this period, he was involved with the planning and completion of several new museums – the new Hong Kong Museum of History with its permanent exhibition, the “Hong Kong Story”, Museum of Coastal Defense, and the Sun Yat-sen Museum. At present, he is Honorary Advisor to numerous cultural institutions both in Hong Kong and China, including UMAG.

A Tour of Sicily, with an Extension to Malta

“To have seen Italy without seeing Sicily is not to have seen Italy at all – for Sicily is the key to everything.” Johann Wolfgang von Goethe (1749-1832)

The enchanting island known as Sikania to its most ancient peoples was at one time a Greek colony, a Roman province, an Arab emirate and a Norman kingdom. Because of its size and strategic location at the southern tip of the Italian peninsula, Sicily had always been coveted by leading powers. The Phoenicians, Carthaginians, Byzantines, Saracens, Aragonese and Bourbons, after having made Sikelia their very own, left behind an eclectic heritage which has distinguished Sicily as the most important island in the Mediterranean.

Since time immemorial, Sicily is home to glorious beaches and majestic mountains. Its coasts are gold with orange and lemon orchards while vineyards, olive groves, almond orchards and wheat fields thrive on the rolling hills. Imposing ancient temples, medieval fortresses and Baroque cathedrals punctuate the landscape whereas awesome volcanoes of all shapes and sizes light up the night sky. Witness the legacy of Phoenician merchants, Greek philosophers, Arab emirs, Norman knights, Byzantine bishops and Holy Roman Emperors through centuries of artistic traditions expressed in the Classical, Romanesque and Gothic styles and embellished by the intricate motifs introduced by the Moors and enriched by the Renaissance spirit of the Baroque.

The trip is now full. We are grateful to members for their enthusiastic participation which gives our committee a greater incentive to plan for more exciting trips in the future. Thank you!

Poetry in Flowers with Masao Mizukami

Japanese installation artist and floral designer, Masao Mizukami, was born in Tokyo to an artistic family. He studied Fine Art at the Tokyo Art University and later at the L'Ecole Nationale Superieure des Beaux-Arts in Paris. His marriage to watercolour artist, Yu Lai Yin, as well as extensive travels to various parts of the world, have further inspired and nurtured his creative spirit.

Combining deep thought, sublime passion, sensitive observation of the seasons in nature and by exploring the infinite possibilities in space, Masao transforms each of his floral designs into an extraordinary work of art. His works often remind us to cherish, protect and preserve the beauty of our environment. Leonardo de Vinci once said, “Simplicity is the ultimate form of sophistication”. This workshop will reveal how Masao utilizes his talents to crystallize poetry in flowers.

Masao is President of Masao Flower Design Academy in Hong Kong, Professor of Mami Flower Design School in Tokyo, Chairman of HK Association of Flower Arrangement Societies, Senior Advisor to Beijing Flower Association and Technical Advisor to Beijing Olympic Games Flower Distribution Centre. He has published several art albums and also presented numerous solo exhibitions and demonstrations at various venues, including the Hong Kong Government House, Hong Kong Museum of Art, Hong Kong Flower Show and Television Broadcasts Ltd (TVB).

Qingbai Wares with Kai-yuen Ng (吳繼遠)

Qingbai wares are also known as yingqing wares. They refer to porcelains first fired in Jingdezhen during the Song dynasty with translucent glaze tinted with a hint of blue or jade-like green. They were available in multifarious forms including tea cups/stands, dishes, bowls, ewers, boxes and funeral objects with mostly incised or moulded motifs. Later, it was also produced in kilns of Anhui, Zhejiang, Hubei, Fujian, Guangdong and Guangxi.

Veteran dealer and connoisseur of Chinese art and antiquities in Hong Kong, Kai-yuen Ng graduated cum laude with a B.A. from The Chinese University of Hong Kong. Two years after his graduation, he inherited his father's antique business and worked relentlessly to increase his knowledge and expertise. In 1975, he became Assistant Curator of the Hong Kong Art Museum. In 2001, he established K.Y. Fine Art on Hollywood Road and has since gained respect and renown in this field. Ng has collaborated with many art museums and institutions by providing services in appraisal, evaluation and translation. He has also organized exhibitions, edited catalogues and served in various leadership roles in the professional community. Since 2001, he has been the Vice Chairman of the HKACMA's Authentication Committee.

This lecture will be presented mainly in Cantonese, supplemented with some English. His presentation will include numerous visual images to illustrate the subtle differences between works that are genuine and imitated, as well as those from various regions and periods.

Floating Memories – Exhibition of Paintings by Han Xin (韓盺)

This is a special guided tour of Floating Memories, an exhibition of paintings by Beijing-based artist Han Xin. The title evokes the artist's reflections on gardens and landscapes, many with ponds or streams, where he has been inspired to paint.

A native of Shanghai, Han Xin began painting during the difficult period of the 1960's and 1970's. Following studies at the Central Academy of Fine Arts in Beijing, he moved to the U.S. in 1981 and earned a Master Degree at the California College of Art. As artist-in-residence at Monet's Giverny in 1989, he absorbed new ways of treating light and color that are evident in this exhibition.

For the past ten years, Han Xin's "Spring, Summer, Winter and Fall" series has been displayed in the public lobbies of Prince's Building for shoppers to enjoy. These four paintings will be relocated to Exchange Square permanently so that visitors to the exhibition will be able to view them as well.

Sponsored by Hongkong Land and organized by Sandra Walters Consultancy Ltd., Floating Memories will run from 4-21 April 2011.