Evening at the Museum: Members Reception & Opening of the Exhibition

To celebrate art and friendship, members are invited to join us for an Evening at the Museum to coincide with the opening of the exhibition The Fame of Flame: Imperial Wares of the Late Ming Period. This reception promises to be a fun event for members to meet other members over wine, hors dӯeuvres and music amidst the lovely art collections exhibited in the picturesque University Museum and Art Gallery (UMAG). This event is also one way of saying “thank you” to our members for past support.

About the Exhibition
The Fame of Flame: Imperial Wares of the late Ming Period will feature over 120 pieces of imperial wares dating from the Jianjing to the Wanli periods, chosen from the collections of the University Museum and Art Gallery and local private collectors.

About UMAG
The Museum is elegantly situated in the Fung Ping Shan Building and the lower three floors of the TT Tsui Building. The Fung Ping Shan Building, originally donated to the University by Mr. Fung Ping-shan in 1932 for a Chinese book library, was converted into the Fung Ping Shan Museum of Chinese Art and Archaeology in 1953.

With further extension into the TT Tsui Building in 1996, the Museum changed its title to the University Museum and Art Gallery and remains one of the oldest and most distinguished museums in Hong Kong, housing over one thousand items of Chinese antiquities in ceramics, bronzes, paintings, Chinese oil paintings, as well as carvings in jade, wood and stone.

Parkview Art Collection

In Chinese, the literal meaning of collecting (shou cang) is “to acquire and to hide”, but the collectors of these museum quality artworks has given shou cang a new meaning. It is “to acquire, to exhibit and to share”. This unique art collection has been acquired by three generations of passionate art lovers of the Wong family. Selected with discerning eyes, it is permanently exhibited in the Parkview Clubhouse on the hilltop of the Tai Tam Country Park and is open to all visitors of this facility.

The Parkview Art Collection showcases a wide range of disciplines in world art. Without favoring any particular genre, it is comprised of the following:

– Modern and contemporary Western art – includes works from famous artists
– Picasso, Andy Warhol, Miro, Chagall, Monet, Van Gogh and others. This collection has a focus on the sculptures of Salvador Dali.

– Asian contemporary art’ includes works by artists who stood at the forefront of contemporary art in China – Yue Minjun, Zhang Xiaogang, Wang Guangyi,Zeng Fangzhi and others. There are also many artworks of emerging artists
from China as well as newly acquired works from Korea and Indonesia.

– Chinese classical paintings and calligraphy – formed part of the earlier collection,including a large number of famous literati paintings and calligraphy (Wang Yuanqi, Wang Hui and Bada) as well as imperial hand scrolls.

– Buddhist sculptures – a unique collection with some very rare pieces dating from Northern Wei to Qing dynasty. This collection has been exhibited at the City University of Hong Kong and has also been well documented by established international scholars.

– Chinese antiquities and curios – include early bronzes from the period of the Warring States, a mix of distinguished pieces of cloisonn-, jade ruyi, ceramics,seals and other artifacts from around the world.

In-house Curator Lucie Chang Yu (MA from SOAS, University of London) or her colleague will guide us through the collection. We will enjoy a leisurely lunch at the Clubhouse after the viewing.

Studio Visit: Nigel Szeto, his Style and Philosophy

Born to a family of artists, Nigel Szeto (司徒乃鍾) is the son of Lingnan Painting School master Szeto Kei and grandson of the famous poet Szeto Mei.

In the early 1960’s and 70’s, Szeto studied art under masters Chao Shao An, Guan Shan Yue, Li Xiong Cai, Yang Shan Shen, Chang King Hung and Chan Shu Soo in Hong Kong and China. Later, he attended Capilano College, Emily Carr College of Art & Design in Canada and graduated with highest honors.

His artworks have been collected and exhibited extensively around the globe, including the Hong Kong Museum of Art and the Hong Kong Heritage Museum; the Museum of Civilization of Ottawa, Canada; the Nanjing Museum, Jiangmen Art Museum, and the Memorial Museum of Lingnan School of Painting, China; and many corporate and private collections.

Nigel Szeto is currently a member of the China Artists Association; Director of the Hong Kong Cang Cheng Art School and Founding Chairman of the Cang Cheng Art Association,Canada; Professor of Fine Arts Faculty, Director and Vice-Principal of Lingnan Art Study in Guangzhou Art Academy; Vice-Director of the Zhejiang Museum West Lake Academy of Chinese Painting in Hangzhou; Honorary Consultant of the Asia Program, University of Indianapolis, USA; Associated Member of The Federation of Canadian Artists; and Vice-Chairman of the Lingnan Art Study Association of Macau.

During this morning’s visit to his studio, Szeto discussed and shared with us his work that exemplified his personal style and philosophy in art. He demonstrated his unique ink painting style that had received wide acclaim. In addition, we were able to view his eclectic collection of ink stones, brushes and antiques. It was an informal occasion to enjoy Chinese art in a relaxed, cozy atmosphere over tea and cake, with dim sum lunch after.

Shenzhen Weekend New Museum and Old Walled Villages

This trip will be a leisurely weekend excursion to visit the new Shenzhen Museum, a garrison town, and two old historic walled villages including an overnight stay in the comforts of the Interlaken (OCT) Hotel, built in a luxury resort replicating an alpine Swiss village in the large ecologically protected scenic hills of Eastern Shenzhen. Along the way, we will have opportunities to savor some of the delectable cuisines that our neighboring town offers.

The new Shenzhen Museum (深圳博物館) opened in late 2008. It has numerous permanent galleries, two of which feature the ancient history and ethnic groups in Shenzhen. The exhibits will provide an ideal introduction to our understanding of the history and culture of Shenzhen.

One of the best preserved garrison towns in China, Dapeng Garrison Town (大鵬鎮鵬城) was founded in 1394 to protect the eastern coast. Preserved up to this day, the city wall is now a National Heritage.

Occupying an area of 25,000 square meters, the walled village of Dawan Shiju (大萬世居) is located in Longgang Town (龍崗鎮). The village belongs to a Tsang clan that is related to the Tsang Tai Uk (曾大屋) of Shatin. Listed as a Provincial Heritage, it is the largest and one of the best preserved walled villages in Shenzhen that has now been converted into a museum of the Hakka people.

Longtin Shiju (龍田世居) is also located in Longgang (龍崗鎮). The walled village was built in 1837. It belongs to a Wong clan of Hakka people that migrated from northeastern Guangdong's Meizhou District (梅州地區).

We are privileged to have as our guest lecturer, Dr. Joseph Ting (丁新豹博士), formerly Chief Curator of the Hong Kong Museum of History. Dr. Ting received his Ph.D in 1989 from the Department of Chinese at the University of Hong Kong. He joined the Hong Kong Museum of Art in 1979 as Assistant Curator II and was transferred to the Hong Kong Museum of History in 1988 to become the Curator. After retiring from the Hong Kong Museum of History, Dr. Ting remains Honorary Adviser to a number of cultural institutions both in Hong Kong and Mainland China.

Lecture and Dinner with Professor David Lung on The Disappearance of the Meaning of Chinese Courtyard House

Lecture Synopsis:

This lecture will review the cultural significance of the traditional Chinese courtyard house; tracing its philosophical foundation to the harmony of man and heaven, and the ways in which the Confucian ideal of a family is being institutionalized in this physical built form. It makes reference to houses found in the New Territories and the Pearl River Delta.

The Speaker:

A registered architect by profession, Professor David Lung ( 龍炳頤教授 ) is the Professor of Architecture and the Founding Director of the Architectural Conservation Programme at the University of Hong Kong. With over thirty years of work researching, teaching and publishing in the area of cultural heritage, he currently holds the UNESCO Chair in Cultural Heritage Resource Management and the Associate Deanship in the Faculty of Architecture at the University of Hong Kong.