Does the hat which Audrey Hepburn wore in the movie "My Fair Lady" fascinate you? Headdresses of different periods through history and from diverse cultures come in all styles and materials. Hats have truly become an artistic fashion accessory in its own right.
"Hats are my passionŠand the more glamorous and ostentatious they are, the more interesting it is to look at the persons wearing them. My hands enable me to construct very detailed and flamboyant pieces for my clients, creating just the right impact they are looking forŦquot; Jay Cheng, the first and only milliner in Hong Kong, was trained in millinery at the London College of Fashion and also under royal milliner Rosy Corey. Her hats and hair pieces include casual fun hats, wedding hair pieces and glamorous stage headdresses. Her creations not only combine interesting fabrics but also show the great taste, skill, love and care that she puts in her work.
During our visit, Jay will give a brief history of hats around the globe and will also show us what it takes to design a hat that is aesthetic, functional, and which can make that perfect fashion statement!
Due to popular demand, we have decided to organize another adventurous dinner, this time at Dai Wing Wah Restaurant. Leung Man Tou (梁文韜) is the managing director of Dai Wing Wah Restaurant. He is like a walking Chinese culinary encyclopedia. Having written many books on food, he has been invited to lead gourmet tours to various countries in Asia. Raised in a Cantonese family in the seafood business, he started as an apprentice chef at the age of 19; now, he has over 40 years of cooking experience under his belt. The famous Dah Wing Wah Restaurant chain has recently branched out from its Yuen Long main location into the spacious new Kowloon Bay branch.
The food is mainly Cantonese provincial with a touch of fusion. Signature dishes are Five Flavors Chicken, Rice Fed Duck, Salty Dried Lemon Steamed Fish, Supreme Soya Sauce Prawn, Long Boiled Soup, Steamed Sponge Cake and a list of others.
For the foodies and for those looking for a change from the urban restaurant fare, this will be a pleasurable evening.
Originally built to house the Supreme Court of Hong Kong, construction of the Legislative Council Building started in 1900 and it was officially opened in 1912. After the relocation of the Supreme Court in 1978 and some internal conversion works, it was declared an historical building in 1984 under the Antiquities and Monuments Ordinance. In 1985, it became the Legislative Council Building.
During our visit, we will be given an introduction of the workings of the Council as well as a tour of the different facilities and highlights of the architectural features of this landmark building. We shall also meet Pauline Ng, Secretary General of the Legislative Council Secretariat, who is responsible for overseeing the support services of the Legislative Council. She also advises the President of the Legislative Council on all procedural and administrative matters. Pauline joined the LegCo Secretariat in 1994 after having worked in the Government for 20 years.
In 1999, Pauline received the Chief Executive's Commendation for Government/Public Service. She is currently the President of the Zonta Club of Hong Kong, Honorary Advisor to the Hong Kong Quality Management Association, Projects Director of the Action for Vision Eye Foundation, Director of the Project Vision Foundation and member of a number of charitable trusts. In her spare time, she is an accomplished painter and is also an art enthusiast.
The Museum Society has organized a number of popular trips to exotic destinations in the past. Many participants have shown keen interest in photography. Seeing their enthusiasm, we have invited professional photographer Bobby Lee to give a talk and share his views on how to take more artistic pictures while on tours. Using visual illustrations, Bobby will first show us how to improve photography in general. Then, he will give suggestions to solve specific problems, such as taking photos in caves with dim lights and in museums with glass reflections, or on roads with moving targets. Do bring along your cameras, equipments and trouble pictures, and feel free to ask him during the Q&A session after his talk.
Bobby Lee, founder of Bobby Lee Photography Limited, works with major 4A advertising companies. His corporate clients include Cathy Pacific Airways, CLP, Hong Kong Electric, Town Gas, Hang Seng Bank, Sun Hung Kai Properties etc. A recipient of various international awards, Bobby is also a philanthropist contributing to Save the Children HK, Helping Hands and other worthwhile projects.
Let’s learn to capture better moments together.
The 4th annual Hong Kong International Art and Antiques Fair (HKIAAF 09) will be held from 3-6 October 2009.
Last year, HKIAAF 08 showcased some 2,000 superb works of art, exhibited by over 70 leading Asian, European and American galleries, and recorded sales of over HK$100 million. The Fair was attended by almost 18,000 visitors from all over the world. This year, HKIAAF 09 will again host leading Hong Kong and international galleries and will showcase a combination of both antiques and contemporary art. (For the most updated news, please visit their official website at http://www.aaifair.com.)
Saturday, 10 October: The Beauty – Women in Chinese Art
How is feminine beauty represented in art? Beauty is in the eye of the beholder, but “the eye” is also a socio-cultural construct. This lecture will consider the role of women in Chinese paintings, focusing on the Ming and Qing dynasties. Dr. Koon will be covering the figure in gendered spaces, the coding of landscapes as feminine, and way that images of women (an often marginalized genre of Chinese art) help to construct ideas of both femininity and masculinity.
Saturday, 17 October: The Beast – Eccentric Artists in the 18th Century
Beginning with the 17th century artist, Shitao and his “Ten Thousand Ugly Dots to Make Mi Fu Cry”, this lecture will examine the ways by which individuality and eccentricity were explored by the so-called Yangzhou Eccentrics in the 18th century. While individuality or eccentricity are often understood as forms of inherent talent, this lecture will open the parameters and look at how artists were influenced by external forces such as the market place, body politics, and intimate connections including love and friendship.
The speaker
Dr. Yeewan Koon is an Assistant Professor in the Fine Arts Department at the University of Hong Kong. Her previous research includes the use of art in Chinese diplomacy, Qing dynasty Guangdong collectors, and 18th and 19th century paintings including Luo Ping’s “Ghost Amusement Scroll”. Currently, she is investigating the art of Su Renshan (1814-c.1850) and the role of anger in Chinese painting.
While a great deal of historical attention has been focused on clothing worn by the Qing Emperors – quite notably, the twelve symbol dragon robes – some of the most beautiful robes from the period were in fact designed specifically for the ladies of the aristocracy. Among them, the most famous patron was the Empress Dowager Cixi, whose penchant for beautiful objects has been well documented.
The silk used for these imperial robes has always been a treasured commodity throughout China’s long history. It was only the wealthy few who could afford these very exquisite garments. They were so precious that they were often reused and, as time passed, altered to reflect current fashion trends of the period, sometimes even 50 to 100 years after they were originally commissioned.
A special visit is scheduled with K.S. Kuok, a private collector who started his collection of Chinese Qing robes 20 years ago. To this day, his enthusiasm for textiles still holds strong. His collection focuses on authentic robes in various styles of silk and embroidery – kesi and brocade knit. K.S. will display these unique pieces and share his knowledge regarding many facets of collecting textiles including, but not limited to, authenticating, caring and valuing.
Be ready to feast your eyes!
“There are few hours in life more agreeable than the hour dedicated to the ceremony known as afternoon tea.” — Henry James
To understand the art of English high tea, Wendy Siu, Founder and President of Heather and March will host an English high tea workshop for our members at her shop. She will talk about the history and tradition of English high tea, including proper service of savories and sweets, tea varieties, the art of table setting, and proper etiquette. You will be delighted to discover many interesting facts and details of what English high tea is about.
Following the talk, there will be an optional English afternoon tea to appreciate, savor, and put to practice the insights offered by our knowledgeable speaker. So, come and enjoy an afternoon that will take you back to the historical and elegant Victorian times.
The speaker
Wendy Siu is the Founder and President of Heather & March, a luxury tableware and home accessories store that has been uniquely instrumental in integrating gastronomic knowledge with table settings. Honored by former French President Jacques Chirac with a lifetime national knighthood medal in 2005, the second highest civilian honor of “Chevalier de l’Ordre National du Merite” in France and the ninth person since 1962 to receive this honor in Hong Kong, she has shared her expertise on topics of entertaining etiquette, interior design, home decoration, and the art of living and culinary cooking through workshops, talks and event decorations at many major five star hotels and residences of Consul-Generals, including the Consul-Generals of France and U.S.A. She was also a guest lecturer for the Faculty of Business and Economics, University of Hong Kong on the topic of “How to Create a Successful Business Vision”.
Liu Guosong is a renowned pioneer of modern experimental Chinese ink painting. Born in Anhui, China in1932, he moved to Taiwan in 1949, and has also lived in Hong Kong for a period of time since 1971.
Liu was trained in both Western and Chinese traditional techniques. Imbued with the spirit to invent new ways to complement ink and colour on different types of paper, he founded the Fifth Moon Group of new Chinese painting in Taiwan. Highly acclaimed internationally, Liu has participated in many exhibitions and conferences worldwide. In 2004, he was invited to stage a retrospective of his works at the Hong Kong Museum of Art. He is also the Honorary President of the Modern Ink Painting Society in Hong Kong.
We are privileged to have a private tour with Liu to preview his exhibition just hours before the opening ceremony. It will be a unique opportunity to hear him talk about his insights and experimentations.
To add frosting to the cake, we have arranged a demonstration of modern ink painting techniques by three of Liu’s former students – Eddy Chan Kwan Lap, Chan Shing-kau and Anita Lau Kam Chi – who are prize-winning artists that have exhibited and published extensively.
Eddy Chan Kwan Lap is an international prize-winning MFA artist. He will be demonstrating his special techniques using crumbled paper and cardboard to produce metaphors of brushstrokes beyond brushstrokes, a signature of his mystically surrealistic paintings.
Chan Shing-kau is the Ex-Chairman of the Hong Kong Modern Ink Painting Society, an organization for cutting-edge experimental ink artists. He will show us his techniques using plastic sheets, detergents and spray bottles to produce textures that resemble different forms of nature, including snow scenes.
Anita Lau Kam Chi is famous for her unparalleled marbling technique ?teasing ink and water, in a fascinating controlled and yet uncontrolled manner – to create her highly popular and distinguished style of artworks which are found not only on paper but also on silk and cloth.
Language is very much like art. They both are tools to render human thoughts and feelings into tangible forms. At the same time, language is also a form of currency, standardized for exchange and communication among diverse groups of people. What happens when both the aesthetic and practical sides of language are jointly expressed in technology?
The HKU Museum Society takes pleasure in presenting a lecture by literary scholar and cultural historian Dr. Jing Tsu (石靜遠), Assistant Professor at Yale University. Dr. Tsu received her Ph.D. from Harvard University and was a Fellow at the Radcliffe Institute for Advanced Study at Harvard in 2008-2009. She has researched and written extensively on a century's transformation of the sound and script of the Chinese language.
In 1946, Lin Yutang (???) filed an application with the U.S. Patent Office for his Chinese-language typewriter. The design, which had taken him fifty years to conceive and to build, marks a little known history in the struggle for global dominance between the Chinese and English languages in the area of international communication, a rivalry that continues to the present. In this lecture, Dr. Tsu will be discussing this much neglected chapter of Lin Yutang's biography and how it adds an important dimension to our understanding of his significance as one of China's most successful bilingual writers in the English-speaking world.
Dr. Tsu has published many articles, book chapters and reviews on modern Chinese literature, nationalism, and diaspora. She is the recipient of numerous academic awards and international honors. Her book "Failure, Nationalism and Literature: The Making of Modern Chinese Identity 1895-1937" was published by Stanford University Press in 2005. She is currently completing her second book manuscript, "Sound and Script in Chinese Diaspora," which is under contract with Harvard University Press.
